SECRET EMPIRE is over, and now the “All-New” Marvel begins– and yes, that was a joke since they tend to love that imprint, A LOT. This was the first GENERATIONS issue I’ve read, and honestly I only decided to read it because the Marco Rudy’s (artist) art was absolutely eye-catching.

The story started out quite interesting, as we witness Riri [Williams] winding up in the future completely unexplained. There was this feeling that Brian Michael Bendis (writer) was going to take this story and tell it in the future, and that really sparked my interest as I read the first couple of pages. Though it quickly became apparent that was not going to be the case, and instead this issue was going to serve as a “prologue” of sorts without any real anchor to what the story going forward between [Tony] Stark and her would be about.

There were some seeds planted, though, like the fact that Stark is now the Sorcerer Supreme and he’s 146-years old. Brian did a great job in that aspect, as he has us (definitely myself) asking what happened to Doctor Strange, who was referenced a few times in this issue. The even larger question being– how did Tony Stark become Sorcerer Supreme? No, seriously? I know my knowledge of Marvel mythos isn’t nearly as vast as my knowledge of the DC mythos, but it just feels very odd to me that Stark would be the one to become such.

Art by Marco Rudy

This also brings me to one of the issues I’ve had and that being that they translated the MCU stance on magic, “Magic is just science that we [as humans] don’t understand yet,” to the comic pages and honestly it’s one of the biggest copouts of all-time. It creates this air of normality to the magical, and strips it of its grandeur. I find it also as a way of depowering characters.

Another problem I had, and with the overall story, was this air of confusion it had. I admit, some of it felt intentional on Brian’s part, as a way of following the Doc Brown‘s basic rule about time travel with not knowing too much about the future. But there was a much larger feeling of confusion in general.

That same confusion seemed to feed off of the issue simply being uncommitted to where the story would end up going after it. Overall this number-one felt more along the lines of an annual than a “#1” whose purpose is to be a jumping off point into a story that the foundation to was laid within it.

Something I had said — going back to my SECRET EMPIRE #10 review — was it [LEGACY] “blatantly looks to be their version of DC Comics’ REBIRTH.”

Art by Marco Rudy

I could be nitpicking, and this might only be for this issue, but I couldn’t help from noticing how we were shown the “Kin” Avengers as DC’s JUSTICE LEAGUE by Bryan Hitch (writer) and Fernando Pasarin (artist) is doing an entire arc with a focus on the “Kin” League. It felt almost as if “what’s good for the goose is good for the gander” type of thing, and killed whatever good they served for the story to me.

You can pick up GENERATIONS IRON MAN & IRONHEART #1 at your local comic shop.

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I cover various topics and use my wide reaching knowledge of such to disect and analyse both their basic and deeper meanings. Recently with the surge in tapping comic book related assets through many different mediums, I specialize in bluntly covering the current "on-goings" in the comic book industry as well as the "pop culture" sensationalized use of such properties and their extended movie universe counterparts. Though a passion of mine is political commentary, and analysing the United States political atmosphere and the what seems to be ever polarized state of affairs.


  1. […] a week ago– eh, more or less, and honestly it’s more than less, I had reviewed the GENERATIONS: IRONHEART AND IRON MAN issue and if you recall, I still wasn’t at all satisfied with the direction Marvel is headed […]

  2. […] do give G. Willow something though, she succeeded at getting me to enjoy the other two’s [IRON MAN AND IRONHEART and CAPTAIN MARVEL AND CAPTAIN MARVELL] explanations and handling of the plot […]

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